Atonement
Atonement Review
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I usually make a point of not seeing a movie before I get a chance to read the book, but the opposite is true for my experience with McEwan’s Atonement. I rented the movie last summer from Netflix and as soon as the movie ended, I stared at the blank screen for a moment, blinked a couple of times in wonderment, and then hit play and watched it in its entirety a second time. Needless to say, I was completely entranced with the storyline and the cinematography. All of this is to say that after having such a wonderful experience with the movie adaptation, I began to worry that I’d ruined the possibility of having a good reading experience with the novel. I find it difficult to read a book after I’ve seen the movie since I have so many preconceived notions of the characters’ appearance and eccentricities locked into my head visually.
Never fear. I loved the book just as much as the movie. I actually listened to this book, mostly while driving, and I’m quite lucky I didn’t wind up in a ditch somewhere due to my complete inattention to my surroundings. I became so wrapped up in the characters, the story, and the heart wrenching consequences of one thirteen-year-old’s misinterpretation of a number of events and a rash decision. This was my first foray into Ian McEwan’s writing and it definitely won’t be the last. I was mesmerized with his writing style. The characters, especially that of the young Briony, were so well-drawn. She is so frustratingly self-absorbed and narcissistic in the beginning of the novel, and her imaginative whims that so many young girls possess lead to such a catastrophic turn of events. I’ll say no more. You must read it for yourself.
I don’t often reread books anymore due to the sheer quantity of amazing novels out there that I must get my hands on, but I can definitely say this is a book I will revisit, perhaps a few times, in the future.
Atonement Feature
- ISBN13: 9780307387158
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
- Click here to view our Condition Guide and Shipping Prices
Atonement Overview
Ian McEwan’s Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.
We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama “The Trials of Arabella” to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren’t up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady’s son, Robbie Turner, appears to be forcing Briony’s sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new “Army Ammo” chocolate bar; and upstairs, Briony’s migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present….
The interwar, upper-middle-class setting of the book’s long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward–eventually to the turn of the 21st century–the novel’s central concerns emerge, and McEwan’s voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn’t have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. –Alan Stewart, Amazon.co.uk
Atonement Specifications
Amazon.com Ian McEwan’s Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment. We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama “The Trials of Arabella” to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren’t up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady’s son, Robbie Turner, appears to be forcing Briony’s sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new “Army Ammo” chocolate bar; and upstairs, Briony’s migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present…. The interwar, upper-middle-class setting of the book’s long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward–eventually to the turn of the 21st century–the novel’s central concerns emerge, and McEwan’s voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn’t have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. –Alan Stewart, Amazon.co.uk –This text refers to the Hardcover edition.
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